The Rev. Elliott F. Gauffreau is the man in the middle.
These photographs show a youth group outing my father led when he was curate at All Saint’s Episcopal Church in Attleboro, Massachusetts from 1959-1961. However, the story is what you don’t see in the photographs: my brother George and me waiting in the car.
Daddy had brought us along for the picnic, and when it came time to pack up the picnic gear and distribute the youth group kids among the various vehicles, he walked us to the parking lot to wait for him in the car (presumably so we wouldn’t be in the way).
Being moderately obedient children, we didn’t object and waited patiently in the car–for all of about three minutes–until boredom set in. When was Daddy coming? Why didn’t he come? What could be taking him so long?
I don’t remember which one of us dared the other to honk the horn. I won’t blame this one on George; it was probably me. Honking the horn was something that WAS NOT DONE in our family. Why? Because like everything else in the adult world, THE HORN IS NOT A TOY. I think the Boy Who Cried Wolf was brought into these discussions as well.
Of course Daddy came back to the car to tell us to stop or we’d wear down the battery. So we stopped–until we started again.
When it came time to leave–yes, you guessed it–we’d killed the battery, and the car wouldn’t start. After discussion among the male members of the group, it was decided to try and jump start it. (Luckily, the parking lot was at the top of a hill.)
Daddy put the car in neutral, the boys pushed the car to get it moving, and off we rolled down the hill. Daddy popped the clutch, the engine caught, and George and I shrieked with delight at this exciting new way of starting the family car–and why didn’t Daddy start it that way all the time? It’s a testament to the kind of father he was when he pointed out quite logically that the car would not always be parked on a hill with a group of boys at the ready to push it.
I’ve always been fascinated by the stories families tell about each other, particularly when the stories conflict.
The event that occasioned my weaning from the bottle has always been one of my favorites. My father told me his version throughout my childhood to demonstrate what I spirited little thing I was, and I reveled in the drama of the image that the story evoked.
I didn’t think to ask my mother for her version until I was an adult and had a child of my own.
Weaning Baby Liz from the Bottle
According to my father, I was weaned from the bottle on the day that my mother came into my room to get me up from my nap and I was so happy to see her that I tossed my bottle out of the crib with such gay abandon that it smashed on the floor like a wineglass, spraying milk and broken glass all over the room. And my mother vowed, that as God was her witness, Liz would never drink from a bottle again!
My mother’s version of the story is that I woke up from my nap and unscrewed the top from the bottle, dumped the milk on myself, then waited miserably in my wet nightie in my wet crib for someone to come in and clean up the mess.
One of my earliest memories is of the time my family lived in Coventry, Rhode Island. The day I’m remembering would have happened in 1958, about a year after this picture of my baby brother and me was taken.
Once George had grown out of infancy, he was a mischievous little fellow, and one day he somehow locked himself in the house’s one bathroom, which I discovered when I couldn’t get the door open.
I yelled for my mother because I had to go, and she stood outside the door and tried to explain to George how to turn the lever below the doorknob. She must have thought that since his stubby little fingers had managed to lock it, his stubby little fingers should be able to unlock it.
Nothing but a stream of giggles came from behind the locked door. At that point, I was shrieking because I HAD TO GO, and my mother went next door to get help in the form of a neighbor’s young son, who wriggled through the bathroom window and unlocked the door.
Liz & The Little Neighbor Boy Who Saved the Day
This angelic portrait of my brother George and me, taken around 1960, was our father’s favorite of the two of us. It held the place of honor on the desk in his study long after George and I were grown.
I remember it took the photographer a while to get George to stop crying; he finally gave in to the distraction of a squeaky toy. I was most concerned about the cut of my bangs.
Kaye Tatro, Betty Rodger, Liz Gauffreau, Elliott Gauffreau (1971 Enosburg Falls High School Academic Fair)
Here I am attempting to improvise my way through a French skit after I couldn’t be bothered to learn my lines. “La Concierge” was not my finest hour. But, hey, my dad liked it.